“The one key word [Karl] used was shine,” the Chanel creative director of makeup Peter Philips explained the motivation behind this seasons beauty look. This lead him to think about skin textures and color consistency, then to Chanel’s incomparable Illusion d’Ombre Long-Wear Luminous Eyeshadow.
The soufflé-like cream pigment that can be worn sheer or built up for more opacity debuted in a brand-new color today, a forthcoming platinum hue that Philips blended all the way up to brows, which were elongated a bit for proportion with its Crayon Sourcils Sculpting Eyebrow Pencils. “I actually applied the mascara first,” Philips pointed out of Chanel’s Inimitable Intense wand in Noir, which went on in one swipe after skin was prepped with its Vitalumiere Satin Smoothing Fluid Makeup, left to dry, and then reapplied three times for added drama. “It’s kind of heavy-handed but in this kind of big venue, we need to do something that can be seen,” Philips elaborated, duly tracing lids with a thick etching of its Stylo Yeux Waterproof Long-Lasting Eyeliner in Ebene while lining the inner rims with its Le Crayon Kohl in Graphite, a dark gray. The shine theme was revisited on lips, which Philips treated to a quick slick of Chanel Rouge Allure Luminous Satin Lipcolor in Gracile, a soft pink, and then promptly lacquered with its Lèvres Scintillantes Glossimer in Plaisir, a sheer peach. “We’re going to oil them up a little bit, too,” Philips added of models’ exposed limbs, which his team greased down right before they hit the runway for an extra glisten.
Hairstylist Sam McKnight enlisted the help of Maison Michel creative director Laetitia Crahay for accessories, who strung hair up with CC-logo pearl baubles, elastic and tied into models’ low-slung, middle-parted knots.